
We go back to the beginning and read everything again.

1945–1953 · ABC, then NBC
Broadway's own company, restaged for the microphone
The Theatre Guild had spent twenty-five years putting O'Neill and Shaw on Broadway before it agreed to put them on radio, and it insisted on doing the job properly: its own producers, its own repertoire, and wherever possible the actors who had created the parts on stage. What resulted is the closest thing American radio has to a recording of the mid-century Broadway company at work. The catch, and it is worth saying plainly, is that these are studio remounts rather than transmissions from a theatre. The house you hear is a radio audience in a broadcast studio. But the performances are the stage performances, cut to fit fifty-two minutes and a steel company's commercials.
23 broadcasts · 7 seasons held · Belasco Theatre, New York

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.

A quiet beginning that turns, halfway through, into something else entirely.

The one everybody argues about.

Short, complete and unexpectedly devastating.

The episode listeners keep sending to people who never listen to podcasts.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.

We go back to the beginning and read everything again.

Three interviews, one archive reel, and a question nobody wanted asked.

Recorded on location, with the room left in.

New tape, a reluctant witness, and a timeline that finally stops making sense.